The 3rd issue features international sales for Japanese cinema. We interviewed international sales companies, distributors and production companies around the world.

Gigan has new questions: how successful are Japanese films in term of business? If they are not doing well, what is the next issue distributors and festival programmers face and, how do they create success for the Japanese films they have? One more thing: how do Japanese films survive on the global market in the decades to come.

Nowadays, we must listen closely to what the situation is for Japanese cinema globally, which is why this issue brings together the voices of people who distributes Japanese cinema.