Texte Zur Kunst i — March 2014, #93

Texte Zur Kunst

TEXTE ZUR KUNST stands for controversial discussions and contributions by internationally leading writers on contemporary art and culture. Alongside ground-breaking essays, the quarterly magazine – which was founded in Cologne in 1990 by Stefan Germer (†) and Isabelle Graw and has been published, since 2000, in Berlin – offers interviews,roundtable discussions, and comprehensive reviews on art, film, music,the market, fashion, art history, theory, and cultural politics. Since 2006, the journal's entire main section has been published in both German and English. Additionally, each issue features exclusive editions by internationally renowned artists, who generously support the magazine by producing a unique series.

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Table of contents

6 Preface 40 Steven Shaviro Speculative Realism – A Primer 52 Armen Avanessian The Speculative End of the Aesthetic Regime 66 Suhail Malik The Value of Everything 80 Michael Hutter Balanced Investments / On Speculation in the Art Market 96 Sophie Cras How to Sell the Bearskin / An Early Case of Art Speculation 108 In the Pull of Time / A conversation between Joseph Vogl and Philipp Ekardt on speculation 126 Alexander Kluge Five Stories 134 Rainald Goetz Speculative Realism 144 On the Advantages and Disadvantages of Working Speculatively / A survey with statements by Diedrich Diederichsen, Karin Harrasser, Jenny Jaskey, Jutta Koether, and Sam Lewitt 166 Kerstin Stakemeier Prosthetic Productions. The Art of Digital Bodies / On “Speculations on Anonymous Materials” at Fridericianum, Kassel Bildstrecke 182 DIS Rotation 189 How to Own It / Julian Stallabrass on “Collecting Art for Love, Money and More” by Ethan Wagner and Thea Westreich Wagner 193 Die Aneignung der Unsichtbarkeit / Danilo Scholz über „Théorie du drone“ von ­Grégoire Chamayou 198 Die Wolke hat System / Stefan Neuner über „Theorie der Wolke. Für eine Geschichte der Malerei“ von Hubert Damisch 204 Disziplinen im Paartanz / Über „Choreographie Medien Gender“ von Marie-Luise Angerer, Yvonne Hardt und Anna-Carolin Weber Liebe Arbeit Kino 208 Wenn die Farben Partei ergreifen / Ines Kleesattel über „Rainbow’s Gravity“ von Mareike Bernien und Kerstin Schroedinger KLANG KÖRPER 212 Sound-Origami / Paul Feigelfeld über Florian Heckers „Chimerizations“ Short Waves 216 Daniel Horn on Lindsay Lawson at Gillmeier Rech, Berlin / Birte Löschenkohl über Nora Schultz in der Renaissance Society, Chicago / Michaela Wünsch über drei Ausstellungen bei Freedman Fitzpatrick, Los Angeles / Kerstin Cmelka über Mary Bauermeister bei 401contemporary, Berlin / Ana Finel Honigman on Kaye Donachie at Maureen Paley, London / Timotheus Vermeulen on Ilse D’Hollander at Konrad Fischer, Düsseldorf Reviews 235 Unter Aufsicht / Monika Baer und Sabeth Buchmann über Thomas Eggerer bei Friedrich Petzel, New York 240 Toward a New Monumentality / Alex Kitnick on Isa Genzken at The Museum of Modern Art, New York 245 On Language as Plastic Phenomenona / Melanie Gilligan on Mira Schendel at Tate Modern, London 250 Ein Hund namens Mensch / Vanessa Joan Müller über Pierre Huyghe im Centre Pompidou, Paris 255 From Landscape to Lacan / Suzanne Hudson on “The Symbolic Landscape. Pictures Beyond the Picturesque” at UC Irvine University Art Galleries 260 Behind the Sequined Curtain / Ellen Feiss on Pauline Boudry and Renate Lorenz at Badischer Kunstverein, Karlsruhe 265 Nachbilder eines Widerstands / Dirck Linck über „LOVE AIDS RIOT SEX I“ in der nGbK, Berlin 270 Kenotaph und Werkgeburt / Stefanie Diekmann über Christoph Schlingensief im KW Institute for Contemporary Art, Berlin Nachrufe / Obituaries 275 Emma Hedditch, Kerstin Stakemeier Ian White (1971–2013) 279 Daniel Martin Feige Kunstbegriff und Geschichte / Zum Tod des Philosophen Arthur Coleman Danto (1924–2013)


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