Film International

Film International covers film culture as part of the broader culture, history and economy of society. We address topics of contemporary relevance from historically informed perspectives. We wish to bridge the gap between the academy and the outside world, and encourage the participation of scholars from a variety of disciplines, as well as journalists, freelance writers, activists and film-makers.

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Film International covers film culture as part of the broader culture, history and economy of society. We address topics of contemporary relevance from historically informed perspectives. We wish to bridge the gap between the academy and the outside world, and encourage the participation of scholars from a variety of disciplines, as well as journalists, freelance writers, activists and film-makers. We refuse the facile dichotomies of ‘high’ and ‘low’, Hollywood and independent, art and commercial cinema. We discuss Hollywood films seriously, and ‘art’ movies critically. We aim at becoming a truly international journal, recognising local specificities, but also the ultimate interconnectedness of an increasingly globalised world.

Film International focuses on longer essays with in-depth analysis, but we also feature interviews, festival reports and an extensive review section on film books, DVD releases and films at the cinema.

We publish four issues of 136 pages per year in print, as well as our webzine which is regularly updated with exclusive material.

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