millennium film journal

Since its inception in the 1970s, the Millennium Film Journal has documented the multiple transformations of the cinematic in the hands of artists, giving a voice to a community that tended toward marginality. Our single commitment is to the cinema as an art form, not a product, and we continue to maintain the idealist – if aggressively naive – position that artworks and products are separate and distinct species, even if some works are both.

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“Material Practice: From Sprockets to Binaries”

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