In this issue:

Giulia Lamoni: 'African masks, family photographs and open suitcases: Rosana Paulino, Mónica de Miranda and Maimuna Adam'

Julie Crenn: 'Michele Magema: Without Echo, there is no Meeting'

Nontobeko Ntombela:'Silent Toyi-Toyis in the work of Donna Kukama and Reshma Chhiba'

Ayana Jackson, Zanele Muholi, Pinar Yolacan, Angele Etoundi Essamba: 'Artists Pages: Ayana Jackson, Zanele Muholi, Pinar Yolacan, Angele Etoundi Essamba'

Rachida Triki 'Contemporary women artists in Tunisia: Meriem Bouderbala, Mouna Jmal, Sana Tamzini, Fatma Charfi'

Taiye Idahor, Ato Malinda, Adwoa Amoah, Maimuna Adam, Mary Sibande: 'Taiye Idahor, Ato Malinda, Adwoa Amoah, Maimuna Adam, Mary Sibande'

Monique Kerman: 'Cut to the Chase: The Work of Mary Evans'

Cheryl Thompson: 'Contesting the Aunt Jemima Trademark through Feminist Art: Why is She Still Smiling?'

Solange Farkas: 'From “ferramentaria” to trance: Symbolism, concept and religiosity in the work of Eneida Sanches'

Peju Layiwola: 'From Footnote to Main Text: Re/Framing Women Artists from Nigeria'

Zehra Jumabhoy: 'Betwixt and In-Between: Reading Zarina Bhimji'