Texte Zur Kunst i — March 2015, #97

Texte Zur Kunst

TEXTE ZUR KUNST stands for controversial discussions and contributions by internationally leading writers on contemporary art and culture. Alongside ground-breaking essays, the quarterly magazine – which was founded in Cologne in 1990 by Stefan Germer (†) and Isabelle Graw and has been published, since 2000, in Berlin – offers interviews,roundtable discussions, and comprehensive reviews on art, film, music,the market, fashion, art history, theory, and cultural politics. Since 2006, the journal's entire main section has been published in both German and English. Additionally, each issue features exclusive editions by internationally renowned artists, who generously support the magazine by producing a unique series.

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Exile and marginality, network availability, mass- versus subcultural identities, privilege, opting (versus dropping) out – these are elements this issue takes on. The fading of bohemia’s appeal is no doubt linked in part to a growing preference for the web’s promise of total-connectivity. Though could another factor be at work here too: an underlying sense that perhaps the real displacement and disenfranchisement after which romantic notions of “bohemia” were later formed may again be a very real threat?

with:

DIEDRICH DIEDERICHSEN THE PHYSIOGNOMY OF DISENFRANCHISEMENT / Faces of bohemia at one hundred and fifty

THE POSSIBILITY OF LIFE AT THE SYSTEMIC EDGE / Three questions for Saskia Sassen

AT THE END OF ALTERNATIVES / An interview with Cornelia Koppetsch

PHILIPP EKARDT FIORUCCI MADE ME NORMCORE / Five observations on art, style, and scenes today

DOUGLAS COUPLAND

DANIEL KELLER HOTTEST NEW ALT MARRIAGE STACK SOLUTIONS / Paratext and Glossary by Ella Plevin

CAROLINE BUSTA BASIC INSTINCT / Cyber-channels and the female pose

STEPHAN DILLEMUTH WHAT’S YOUR NAME, BOHEMIA?

THE DEATH OF ILLUSION / An interview with Noura Wedell BILDSTRECKE MORAG KEIL

NICHT TRENNEN, WAS NICHT ZU TRENNEN IST / Susanne Leeb über einige jüngere Publikationen zu Otto Mühls Friedrichshof-Kommune

DISKURSIVES SCHWINGVERGNÜGEN / Christian Höller über Tom Holerts Textsammlung „Übergriffe. Zustände und Zuständigkeiten der Gegenwartskunst“ LIEBE ARBEIT KINO

O CRONENBERG! (A SPOILER) / Mark von Schlegell on David Cronenberg’s recent movie “Maps to the Stars” and novel “Consumed” KLANG KÖRPER

ANIMIERTE BILDKULISSEN / Kalani Michell über Lucy Raven im Portikus, Frankfurt/M.

DEFORMIERTER RUNDFUNK / Holger Schulze über The Lake (Kopenhagen) und Know-wave (New York)

Nick Zedd on Greer Lankton at Participant Inc, New York / Tess Edmonson on Amalia Ulman at James Fuentes, New York / Hanna Magauer über Walead Beshty bei Capitain Petzel, Berlin / Ana Teixeira Pinto on Oliver Laric at Tanya Leighton, Berlin / Barbara Hess über Jana Euler im Bonner Kunstverein

EINE PRIVATE ÖFFENTLICHKEIT / Kerstin Stakemeier über Florine Stettheimer im Lenbachhaus, München

NOT ONLY THE HEART IS NOT A METAPHOR / Rachel Haidu on Robert Gober at the Museum of Modern Art, New York

TOTAL CONFUSION / Christian Naujoks on Cosima von Bonin at Mumok, Vienna

GLOOM / Amy Lien and Enzo Camacho on the Taipei Biennial 2014

BAUEN OHNE MAUERN / Sophie Goltz über Lina Bo Bardi in der Pinakothek der Moderne, München

MAMMA MIA / Beate Söngten über Michaela Meise im Künstlerhaus Bethanien, Berlin

A GLIMPSE AT THE SOCIAL LIFE OF PAINTINGS / Catherine Chevalier on Marcel Duchamp at Centre Pompidou, Paris

LEWIS BALTZ (1945–2014) by Jeff Rian

Editions: TOMMA ABTS AVERY SINGER


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